3.3.1 Music
As many of my works as i can remember—even the hopelessly bad ones. A
few have links to .pdf files in case you want to see them.
I’d appreciate it if you would let me know at thorne@timbral.net if you download
something and read through. Certainly if you’re going to perform
something, let me know so i can show up and hear it.
You are welcome to propose a commissioned work.
Scores available online in .pdf format:
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Raskolnikov Walking; 1995; Piano solo; ~3’
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Poem–1997; 1997; Unaccompanied Bb Clarinet; ~3’; First performed
in modified form at the University of Colorado ca. 1999 under the
title Parc La Tôt; Atonal, uses control of interval classes for
structure; quarter tones; fairly difficult
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Sonata for Two Pianos; 1998; Two pianos; 17’
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Downward View; 2002; Piano solo; ~1’; Very short; meant to reduce
to postcard size. Speaking part in the manner of haiku
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Requiem; ~2002; Baritone & piano; ~2’; Text by Robert Lewis
Stevenson
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Men-an-tol; 2003; Piano solo; ~1’
Unavailable online (ranging from decent to hasty sketches that i
really ought to burn):
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Two Musical Thingies; Piano solo; ~1993; ~4’
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Four Preludes; Piano solo; ~1993; 6’; In G, A, C and D
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Piece for Piano Four-Hands; Piano four-hands; ~1994; 2’;
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Cappriccio; Violin and piano; 1994; ~4’;
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Four Studies for Todd; Piano solo; 1994; 6-7’; Easy
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Mourning; Piano solo; ~1995; ~4’
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Recitative; Piano solo; 1995; ~2’;
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Three Gnats; Piano solo; 1995; 4-5’; Extended tonality; number
three in easy chromatic counterpoint
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Pavane, Polka and Waltz; Piano solo; ~1995; ~4’; Very easy,
modal/chromatic
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Mirror Game; Piano solo; 1995; 1’; Easy; contrary motion
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Rondo; Unaccompanied marimba; 1995; 1’; Allegro
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Sonatina; Unaccompanied alto saxophone; 1995; ~8’; Three movements
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Piano Sonata; Piano solo; 1995; 12’; In one movement; medium
difficulty showpiece; modal/parallel harmonies; chromatic
neo-romanticism
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The Purple Cow; Voice & piano; 1995; ~1’; Text by Gelett Burgess
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Rhythmic Étude; Soprano saxophone and percussion; 1995; 1’; Tuned
water glasses and bodhrán
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Allegro Feroce; Piano solo; 1995; ~1’
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Peace for Laura; Piano solo; 1995; ~1’
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Poem; Unaccompanied horn in F; 1996; ~2’; Atonal; adagio
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Piano Sonata # 2; Piano solo; 1996; ~7’; Three movements;
easy/medium difficulty; free chromaticism/atonality; neo-classical
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Two Poems; Piano solo; 1996; 3-4’
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Introduction; C flute & piano; 1996; ~2’; Slow; easy; 13th chords;
impressionistic
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Two Pieces; Piano four-hands; 1996; ~2’; Very easy; humorous waltz
and tango
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Two-Part Invention; Piano solo; ~1997; ~1’; Study with interval
classes
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Four Poems; String quartet; 1997; ~5’; Very technical
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Symphonietta; Strings & percussion; ~1997; ~10’; Highly chromatic
neo-romanticism
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Fifteen Preludes; Piano solo; 1997-1998; ~18’; Easy to medium; some
very tonal
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Piano Trio; Violin, cello & piano; ~1998; ~13’; Romantic
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From the Greek Anthology; SATB choir; 2001; ~1’; The first of a
planned set
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Movement; Piano solo; ~2001; ~5’; Aggressive and virtuosic
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Summer Wind; Piano solo; 2002; ~1’; Very short; meant to reduce to
postcard size. Speaking part in the manner of haiku
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©1997—2007